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A List of Fonts that Are Safe for the Web
Before I kick off my spiel, here is the link to the List of Web-safe Fonts
Typography is an important area of design, even on the web. Fonts, leading, letter-spacing, and other typographical choices say things about your site’s character and content and influence the likelihood that site visitors will actually read your content.
Typographic Choices Are Different on the Internet
It’s different getting typography right on the web. The resolution is much, much lower than print (72 dpi instead of at least 300 dpi in print). You run into problems with fractional pixels. There’s no easy method for kerning. And many typographical choices are dramatically modified or even eliminated because users can resize and reflow the text.
The CSS2 Spec Has Helped
The CSS2 Specification has controls for some of the most important typographical decisions—there are controls for leading (line-height), letter-spacing, font size, and others. Most modern browsers support these typography declarations. Web typography has moved forward a lot thanks to the acceptance and implementation of the CSS2 Spec.
Font Choice is Abysmal on the Web
Really, the most important hurdle in web typography is font choice. There is currently no universally accepted method for embedding fonts on a page or site, and thus web designers must create images with their text in them (there is a wide selection of text-image replacement techniques) or they are limited to the fonts that can be found on the majority of relatively modern Windows and Mac systems (without even thinking about the other operating systems out there, like Linux). It’s a pretty short list.
The List of Web-safe Fonts
Alberto Martinez has maintained a very good list of universally available fonts and Windows/Mac font pairs that are very good approximations of each other. Here is his List of Web-safe Fonts.
If you exclude symbols and webdings, there are 14 total fonts on the list, many of which are very similar. There aren’t many people who are going to notice a huge difference between Times New Roman and Palatino Linotype, for example. The fonts with the most character are Impact, to be used sparingly, and Comic Sans, to be used even more sparingly.
On the bright side, it doesn’t take long to learn what your font choices are, and the web is a much more consistent place because of the limited font selection. That being said, I still hope that someday soon we’ll be able to see some kind of advanced font system in place that will unlock the world of fonts to web typographers.
Published by Michael Ebert
on March 6th, 2008
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